Alright, let’s yak about them…what do you call ’em… impressionist portrait paintings. Yeah, them fancy pictures. I ain’t no scholar, mind you, but I can tell ya what I see, and what I reckon these fellas were tryin’ to do.
Now, from what I gather, this whole impression thing, it started in France, a long time ago. Way back in them 1800s. These painters, they got tired of paintin’ everything all stiff and proper-like. They wanted to show things as they *felt*, not just as they *saw* ‘em. You get me?
It’s like this, see. You look at a tree, right? A regular painter, he’d make every leaf just so, all neat and tidy. But an impressionist fella, he’d just slap some green on there, some yellow, some brown, all quick and messy-like. And somehow, it looks more like the *real* tree, the one you see when the sun’s shinin’ through the leaves and everything’s kinda shimmery.
They was all about the light, these painters. Light and color, that’s what they cared about. They wanted to capture that moment, you know? Like, when the sun’s just comin’ up, and the sky is all pink and orange, or when the light is dancin’ on the water. They wanted to make you *feel* like you was right there, seein’ it with your own eyes.
- They used these short little brushstrokes, see. Not all smooth and blended like them other fellas.
- And the colors, they was bright and bold. They didn’t mix ‘em all up too much. Just let ‘em sit there, next to each other, all sparkly and lively.
Take that fella, Claude Monet. He painted this picture, called it “Impression, Sunrise”. That’s where they got the whole name from, I heard. It’s just a bunch of boats and the sun comin’ up, but it feels…well, it feels real. Like you’re standin’ on the dock, smellin’ the salty air and hearin’ the gulls squawkin’. It ain’t perfect, ain’t all neat and tidy, but it’s got *feeling*. That’s what matters.
And then there was this woman, Mary Cassatt. An American, she was. She painted lots of pictures of women and children. There’s this one, “Little Girl in a Blue Armchair.” It ain’t some grand, important picture, just a little girl sittin’ in a chair. But the way she painted the light on the girl’s face, the way she captured that kinda dreamy look in her eyes… it’s somethin’ special.
Now, some folks, they didn’t get it at first. They said it looked unfinished, messy, like a bunch of kids had been playin’ with paint. But these impressionist fellas, they didn’t care. They kept paintin’ the way they felt was right, and eventually, folks came around. They started to see the beauty in it, the way these painters captured the *feeling* of a moment, not just the way it looked.
Other fellas like Manet and Degas, they was part of this whole thing too. They painted portraits, yeah, but not the stiff, formal kind. They painted folks as they were, in their everyday clothes, doin’ their everyday things. They wanted to show the real person, not some made-up, fancy version.
So, if you ask me, what makes these impressionist portrait paintings special, it’s that they ain’t just about showin’ you what someone looks like. They’re about showin’ you who they *are*, what they’re *feelin’*, in that particular moment in time. It’s about light and color and feelin’, not just lines and shapes. And that, to me, is a whole lot more interestin’ than some perfect, stiff picture that don’t tell you nothin’ about the person inside.
It’s like lookin’ at a photograph versus lookin’ out your window. A photograph shows you exactly what was there, but lookin’ out your window, you see the light movin’, the leaves rustlin’, you *feel* the breeze on your face. That’s what these painters was tryin’ to do, make you feel like you was right there, seein’ it all happen. It’s kinda like… they’re paintin’ the air, not just the thing you’re lookin’ at. Makes it more lively, more real, ya know?
Anyway, that’s my two cents. I ain’t no expert, mind you, just tellin’ it like I see it. But I reckon these impressionist fellas, they was onto somethin’ special. They showed us a whole new way of lookin’ at the world, and that’s somethin’ to be admired, I think.
Tags: [Impressionism, Portrait Paintings, Art History, Claude Monet, Mary Cassatt, Edouard Manet, Edgar Degas, 19th Century Art, French Painting, Light and Color, Brushstrokes]
Original article by the Author:Emile,If you intend to republish this content, please attribute the source accordingly:https://www.creativesfunding.com/3051.html
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