Exploring Dada Typography: A Beginners Simple Guide
Alright, so listen up, I’m gonna tell ya ’bout this thing called “dada typography.” Don’t ask me what “typography” means exactly, somethin’ to do with letters and words, I reckon. Fancy folks got their own way of talkin’, ya know? But this “dada” thing, that’s a whole other story. It’s like… well, it’s like when you throw a bunch of stuff in a pot and it kinda makes a stew, but you ain’t sure if it’s gonna taste good or not. That’s dada, I guess.
So, back in the day, these dada fellas, they didn’t like rules. Nope, not one bit. They said, “No rules!” And that’s how they did their letters and words too. No rules! Imagine that! Like when you’re plantin’ seeds, you usually put ’em in rows, right? Not these dada folks. They just threw them seeds everywhere! That’s what they did with their letters, all mixed up, sideways, upside down, big and small, all over the place.
- They’d take pictures and stick ’em with words.
- They’d use all sorts of different letter styles, like fat ones, skinny ones, squiggly ones.
- They weren’t trying to make things pretty and neat, they just wanted to shake things up.
Now, some folks say this dada stuff is part of somethin’ called “graphic design.” Sounds fancy, huh? But to me, it just looks like a big ol’ mess sometimes. But hey, maybe that was the point! They were tryin’ to make you think, make you scratch your head, make you say, “What in the tarnation is goin’ on here?”
There were these artists, like this Hannah Hoch woman and John Heartfield fella, they were big on this dada stuff. They’d cut up pictures and stick ’em together with words, makin’ these wild posters and things. Can you imagine? Like takin’ pieces of cloth from different dresses and sewin’ ’em all together to make a new one, but it don’t quite fit right. That’s kinda what they did.
They say this dada thing even got mixed up with other fancy art styles like “constructivist” and “suprematist.” Don’t ask me what those are, sounds like somethin’ you’d learn in them city schools. But the point is, these dada folks, they were like them wild weeds that grow in the cornfield. They just popped up everywhere and did their own thing.
Now, this “typography” part, it’s about makin’ words easy to read, they say. But them dada people, they didn’t care much about easy. They wanted to make you work a little, make you pay attention. It’s like when you’re tryin’ to understand a whisper in a crowded room, you gotta listen real close. That’s what they wanted, I think.
They even had somethin’ called a “Dada Manifesto,” like a big ol’ list of rules, but I thought they didn’t like rules? Goes to show ya, even folks who say they don’t like rules end up makin’ some of their own. And they talked about “pataphysics” and “politics” too. Big words, right? Makes my head spin just thinkin’ about it.
So, what’s the big deal with dada typography? Well, it’s like this… It’s about bein’ different, about breakin’ the rules, about makin’ people think. It’s about takin’ what you know and turnin’ it upside down, inside out. It’s about makin’ a mess, but maybe, just maybe, findin’ somethin’ beautiful in that mess. It might not be everyone’s cup of tea, but it sure is somethin’ to look at, ain’t it? It’s like when you see a cloud that looks like a dog, or a tree that grows in a funny shape. It’s unexpected, and that’s what makes it interesting.
Even though I don’t understand all them fancy words, I get the feelin’ that these dada folks were just tryin’ to express themselves, in their own way. And maybe that’s all that matters, right? Just doin’ your own thing, makin’ your own mark on the world, even if it’s a little bit messy.
Tags: [Dada, Typography, Art, Design, History, Graphic Design, Hannah Hoch, John Heartfield, 20th Century Art]
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