Thierry de Duve’s Duchamp’s Telegram: Revealing the Hidden Meaning Behind the Iconic Message
Well, I tell ya, this here “Duchamp’s Telegram” is somethin’ else, I ain’t ever heard of no telegram like this before! But when I sat down to read about it, I started to get a picture of what all them fancy folks talk about. They say this book sheds new light on how folks first took that telegram, and I reckon it’s a real eye-opener for them who never paid no mind before.
Now, I ain’t no scholar or nothin’, but I reckon it’s like this: Marcel Duchamp, he was the feller that stirred up a real storm in the art world. Folks was all used to pretty pictures and fancy sculptures, things that you could see and touch and admire. But ol’ Duchamp, he came in with a big ol’ slap to the face. He said, ‘Art ain’t about what you see, it’s about what you think.’ He made all them big city folks scratch their heads when he put a urinal in a gallery and called it ‘Fountain.’ Can you believe that? A urinal, right there on display! And folks got all mad, said it weren’t fit for art. But Duchamp, he stuck to his guns. He said, ‘Art’s whatever I say it is, ’cause I’m the one who chose it.’”
Now, this telegram of his, I reckon it’s tied up with that same kind of thinking. I mean, here’s this telegram, simple as it may be, but the real meaning ain’t in the words themselves—it’s about what them words mean, or don’t mean, and who’s readin’ ’em. Just like his readymades—those are just everyday objects, things you could find anywhere, like a bottle rack or a bicycle wheel. But when Duchamp puts his stamp on ’em, well, all of a sudden they’s art. It don’t matter what they are; it matters what they stand for. That’s what folks in the art world call ‘Conceptual Art,’ though I don’t know why they gotta make it sound so fancy. To me, it’s just common sense. If you put your mind to it, anything can be art.
So, what’s this telegram got to do with all that? Well, it seems that Duchamp sent it to the folks in the art world, back when he was real busy with his ideas. Now, this telegram wasn’t no regular letter; it was like a little message wrapped up in a puzzle. Some folks thought it was a joke, others took it real serious. But one thing’s for sure—it made ’em think. And that’s what Duchamp was all about—making folks think about things they’d never thought about before. Whether it was a cheap ol’ urinal or a simple telegram, it was about challenge. It was about breaking the rules.
And you know, that’s somethin’ to be said for. Sometimes, I think we all get too stuck in our ways. We see somethin’ and think, ‘That’s how it’s supposed to be,’ but Duchamp, well, he wasn’t havin’ none of that. He was always turnin’ things upside down. He said, ‘Art ain’t about what it looks like, it’s about what it makes you think.’ And that’s exactly what that telegram did. It made folks think.
What’s the point of all this? The point is, Duchamp was showin’ us that art can be anything, as long as the person behind it decides it is. And when you stop and think about it, that telegram he sent? It wasn’t about the words—it was about the idea behind ’em. It was about gettin’ people to see things differently, to open their eyes to new possibilities. Duchamp was tryin’ to tell ’em that art ain’t confined to galleries or fancy frames. It’s out there, everywhere, if you got the right eyes to see it.
Is it a joke or is it art? Well, that’s the big question, ain’t it? Some folks still argue over whether Duchamp’s work was just a big ol’ prank or whether it was truly groundbreaking art. But maybe that’s the whole point. Maybe it’s not for us to decide. Maybe it’s for each person to figure out for themselves. So next time you see somethin’ you think ain’t art—maybe just stop a minute and think about it. Could be you’re missin’ the whole message.
One thing’s for sure: Duchamp didn’t make things easy for us, but he sure got us thinkin’! And that, I reckon, is what made him such a big deal in the world of art. Whether you like it or not, he showed us that there ain’t no limits to what can be called art. A telegram, a urinal, a bottle rack—who’s to say they ain’t all part of the same big picture?
Tags：[Marcel Duchamp, Conceptual Art, Fountain, Readymades, Duchamp’s Telegram, Art Theory, Modern Art, Contemporary Art]
Original article by the Author:Tate,If you intend to republish this content, please attribute the source accordingly:https://www.creativesfunding.com/1936.html
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