Oh, you know, back in the day, people didn’t really do things like them fancy artists now. But this Marc Chagall fella, well, he sure knew how to paint himself, didn’t he? They say he did a self-portrait in 1912 or 1913, somethin’ like that. And, oh boy, it ain’t just a regular ol’ picture, no ma’am. He put all sorts of things in there, like his face, but also a cow, a milkmaid, and even the Eiffel Tower! Can you imagine? All those things together, in one picture. Must’ve been somethin’ in his head, I tell ya. They say that he thought about Russia too when he did it. Makes sense, what with him growin’ up in a small town over there.
This self-portrait, they say, is kinda Cubist-like, whatever that means. But I reckon it just looks a bit strange, all the shapes and lines not bein’ quite right, but I suppose that’s the point. He didn’t want it to look like a regular ol’ picture. No, sir. He wanted to show how he felt, what he was thinkin’. That’s what makes it special, I guess. Folks say he had somethin’ about the number seven too. Seven fingers on one hand, can you believe that? Maybe it meant somethin’ to him. Who knows what goes on in them artist minds, but there’s always a reason, I reckon.
Now, Chagall, he wasn’t just sittin’ around paintin’ himself like some folks do. No, he had a lot goin’ on in his life. He grew up in a little village, and it shows in his paintings. A cow, a milkmaid – those are things from home, you see? Things that made him remember where he came from. Must’ve been a lot of memories wrapped up in that portrait. Some folks say he was showin’ his roots, that he missed home when he was away in France, livin’ near that big ol’ Eiffel Tower. I reckon that’s why he painted it right there next to himself.
They say artists’ self-portraits are important. Shows ya what they thought of themselves and what was around ’em. This Chagall fella, he wasn’t no different. He might’ve been lookin’ into the past, but he was also thinkin’ about where he was headin’. Like that cow and milkmaid, they’re from his village, but the Eiffel Tower, well, that’s from France, his new life. It’s like he was puttin’ it all together in one place, showin’ the world what was goin’ on inside his head. Ain’t that somethin’?
Chagall’s self-portrait is like a puzzle, and I reckon it takes some thinkin’ to figure it all out. But that’s the beauty of it, I suppose. You don’t have to understand every little piece to know it means somethin’. And maybe, just maybe, he wanted people to feel a little confused, just like he might’ve felt when he was makin’ it. After all, life ain’t always clear, and neither are these big ol’ paintings.
If you ever get a chance to see it, well, you better take a good look. ‘Cause there’s more to it than just a face. There’s memories, thoughts, dreams – all wrapped up in there. And maybe, just maybe, you’ll see a bit of your own story in it too. Who knows? Them artists sure know how to make ya think.
Tags：[Marc Chagall, self-portrait, Chagall 1912, Chagall Cubism, Chagall Russia, Chagall Eiffel Tower]
Original article by the Author:Emile,If you intend to republish this content, please attribute the source accordingly:https://www.creativesfunding.com/215.html
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